美國藝術家Daniel Arsham擅長以『未來主義』的視角，利用混凝土、石膏、石英等原料，重塑各種具有時代意義的作品。他會尋找在過去的時空最具代表性的物件創作，以呈現破損的樣貌，將作品推向所謂『未來』。法國羅浮宮典藏的維納斯，以『時間錯位』慣用的模擬兩可創作概念出發，穿插於原作石英及水晶能不斷生長的意象，當我們看到水晶時，能理解它有著隨時間會不斷生長的意象，而同時，隨著時間進展，物體又會呈現出衰敗破碎的樣貌，究竟是要壞了？還是要變成新的呢？在迷惑與模稜兩可之間，瞬間將感受抽離了現實。藝術家獨特創作手法成功轉譯經典雕塑，並乘載出當代新價值。


American artist Daniel Arsham reimagines iconic works from a "future archaeology" perspective, using materials like plaster and quartz to create seemingly eroded relics.
Reinterpreting the classic Venus of Arles from the Louvre Museum, Arsham explores the idea of fictional time. While quartz and crystals symbolize growth over time, the eroded forms suggest decay and collapse. Is the sculpture breaking down, or is something new growing within it? Sitting between decay and renewal, this captivating contrast reinvents a classical masterpiece with a modern perspective.